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Lessons in Classical Painting: Essential Techniques from Inside the Atelier, by Juliette Aristides
Ebook Free Lessons in Classical Painting: Essential Techniques from Inside the Atelier, by Juliette Aristides
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Product details
Hardcover: 248 pages
Publisher: Watson-Guptill (July 26, 2016)
Language: English
ISBN-10: 1607747898
ISBN-13: 978-1607747895
Product Dimensions:
7.7 x 0.9 x 10.3 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
76 customer reviews
Amazon Best Sellers Rank:
#29,244 in Books (See Top 100 in Books)
I want to attempt a comparative review of six instructional books for the beginning painter, which I will eventually rank. Before I go into this, here are a few words about where I'm coming from. Needless to say, if your background and expectations are different from mine, you may well arrive at a completely different evaluation of these books.I am relatively new to painting, but had some drawing skills already. I was looking for a book that starts at the very beginning (what supplies to buy etc.) and then introduces me to a range of techniques for painting in realistic style. More specifically, I would like to see the following in my ideal book:(a) Reasonably specific step-by-step instructions that don't leave me guessing how the author got from A to B; at the same time, I would like to be treated as an adult and have clear explanations of why I'm doing what I'm doing throughout;(b) exposure to a variety of techniques such as painting in layers, alla prima;(c) demonstration artwork in realistic style that inspires me to learn what is needed to get there.One more general remark: four of the books I'm reviewing here work with oils and two with acrylics, please keep this in mind if you have already decided on what your favorite paint is. I'll note this below. (I used both oils and acrylics at an early stage and would actually recommend this approach.)(1) Still Life Painting Atelier: An Introduction to Oil Painting (oil): For me, this is head and shoulders above the rest. It succeeds in all three criteria (perhaps the author's artwork is not the most stunning I've ever seen). I'll give it a clear A.(2) Painting for the Absolute and Utter Beginner (acrylics): Pretty good in my opinion, with many useful little tips in it, though sometimes it could be a bit more specific (rather than "work on the shapes, refine the colors") and it wasn't always clear to me why the author made the choices she made (why glaze here, use opaque color there?). I'll call it a B+.(3) Painting in Acrylics: The Indispensable Guide (acrylics): This is actually an excellent book, just a bit different from what I described above. It works great as a reference book (and as a coffee table book, fantastic artwork in it). I won't grade this one.(4) Lessons in Classical Painting: Essential Techniques from Inside the Atelier (this book, oil): A pleasure to read and look at, and similar in approach to Friel's book actually in the instructional parts, but it has a rather different feel to it, much chattier and philosophical and light on the actual hands-on instruction. That's a B for me.(5) Oil Painting Secrets From a Master (oil): Sorry, but advice such as (random example, the book is full of this) "it's not how to paint what you see, but how to see what you paint" doesn't do it for me. Also, much of Leffel's work (the "master" from the title of the book) is too loosely painted for my taste. I'll give it a C-.(6) The Oil Painting Course You've Always Wanted: Guided Lessons for Beginners and Experienced Artists (oil): This seems to be a popular book, but I honestly can't understand why. The instructions are unmotivated and too vague, and the author is an abstract painter whose attempts at realistic demonstration painting in the book are unconvincing (especially the portraits). Some useful information, for example on color mixing, but the book just didn't work for me at all as a course. I'll give it a D.By the way, the drawmixpaint videos on youtube are another wonderful resource, in my opinion.
This is a very detailed and well illustrated high quality book for the artist who wants to master traditional representational oil painting. I used to teach oil painting at the college level and would use this as a textbook. The lessons are thoughtful and move progressively from value to color study. I highly recommend this book to any painter at any level of development. I consider myself a professional, but everyone has more to learn.
This is by far the most helpful book on painting I have ever read. First of all, the writing is philosophical, beautiful, and inspiring. Secondly, the technical information, especially on color mixing and theory, is invaluable. Although it requires more thought, patience, and practice, the classical approach to painting rewards the artist with the satisfaction of understanding.
This is by far one of the most useful books on the underpainting technique. I saw it after I had read her book on Drawing and it used my skills by half at least. she writes well and actually gives you practical lessons to achieve , if you are not serious about painting for thousands a week then do not buy this book, give it to a student who is willing to put in the time to find his chops.
This is an amazing book on painting. It teaches you how to see as a painter, and focuses on overall questions of composition, value, form, etc. rather the step-by-step approach offered in many other books. I'd much rather see something that tries to impart universal approaches to visual art than a how-to on painting every subject matter imaginable. If you're interested in painting as an art, buy this book.
As a classical painter, I was curious to compare ideas. I love the book, it is well written and well organized, with refreshing insights and ideas.
Exceptionally written book. There are so many art books out there but this is one I will definitely be recommending to friends and people who ask me for recommendations on how to paint!
Wow, great book. I wish it had been larger for more money though. Some of the images are hard to see.
I had wished I could have had this kind of classical training when I was just out of school. . . Thank you, Juliette Aristides. . . Soon I'll have all four books by this talented artist and teacher. . . . Her books (or anyone else's, for that matter) cannot take the place of actual disciplined atelier training but what Juliette Aristides has provided with her books. . . Well, let's just say, she's given me a road map to getting where I hope to be eventually. . .
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